Same Same But Different NZ
Julie Watson is in her fourth year of being the programme director for Samesame but different. She is an educator, facilitator and advocate. After two decades of working with the Human Rights Commission, she is now programme lead for Silver Rainbow, a facilitator with Rainbow Tick and does education and consultancy around relationship and LGBTQI issues. Julie is part of the Rainbow Panel Advisory group to Auckland City Council and is also the artistic director for Auckland Playback Theatre and an independent advocate for students at Unitec.
With a commitment to community events stretching back to Treasurer for the inaugural Hero Party in the 1990s Andrew Rumbles created the Alternative Bindings events for Pride six years ago with a focus on a queer writing contest and events that LGBTQI book lovers could actively participate in including a Poetry Speakeasy and Review Revue at Auckland City Library. He has also supported political candidates in their campaigns and after many years as a bookseller with both Paper Plus and Dymocks and in publishing sales with Reed and New Holland Publishers, his day job is now in Real Estate. Andrew chairs the samesame but different festival charitable trust.
Ian Watt was born in Warkworth and raised in Auckland. After completing an MA in English Language and Literature at the University of Auckland, he travelled to the United Kingdom where he initially worked at Decca Records before finding his true niche as a book editor and publisher. He worked in London at Thames & Hudson, SPCK and the Royal Society of Arts before returning to New Zealand, where he became the Managing Editor at Reed Publishing. There, for the first time in New Zealand, he published openly gay works of fiction by Peter Wells, Witi Ihimaera and Robert Leek. After a stint as publisher at HarperCollins, he abandoned the multinational publishing machine to become a freelance editor and publisher for Exisle Publishing. Following his retirement, he is now turning his hand to writing his own books.
Joanne Drayton is an acclaimed New Zealand author whose output is globally recognized as being of the highest caliber. Her book The Search for Anne Perry was numbered in the top 10 non-fiction books on the New York Times bestseller list in 2015. It was a finalist in the prestigious New Zealand Book Awards in August 2013; it was the subject of a 60 Minutes programme; and a cover story for the NZ Listener. Her critically acclaimed Ngaio Marsh: Her Life in Crime (2008) was a Christmas pick of the Independent newspaper when it was released in the UK in 2009. The subjects of her other biographies include Frances Hodgkins, Rhona Haszard and Edith Collier. She has curated exhibitions and publishes in art history and theory. In 2007, she was awarded a National Library Fellowship, and in 2017 a prestigious Logan Fellowship at the Carey Institute in upstate New York.
Jeremy Hansen is an Auckland-based writer and journalist. He is the co-author of Villa: From Heritage to Contemporary (Godwit, 2009) and the editor of the book Modern: New Zealand Homes from 1936 to 1977 (Godwit,2013). He edited the architecture and design magazine HOME from 2005-2016, which won Magazine of the Year at the Canon Media Awards in 2016, and the free Auckland weekly Paperboy. He has written for publications including Metro, The Listener, North & South, Architectural Record and Dwell.
Michael Giacon is a poet, songwriter and performer. Born and raised in Auckland, he is from a large Pakeha-Italian family. In 2016 he graduated with a Master of Arts in Creative Writing from the Auckland University of Technology, and the same year won the Kathleen Grattan Prize for a Sequence of Poems. He has been published in brief, A Fine Line, Fast Fibres, and Fresh Ink. Michael is a founding member of the Central Auckland Poets with other AUT MCW alumni. They have produced a chapbook, Poetry in the Garden, through CAP Press.
Pam Ford is an experienced professional in economic development, international business, marketing and brand development. Highly regarded as a strategic relationship builder and leading teams across government, private sector (investors and businesses) and non-profit sectors. She is currently General Manager of Economic Development for ATEED. She has actively supported the creative arts, especially literature for many years.
Peter Wells is an award-winning author and film-maker. In 2018 Unity Books gave Peter Wells a $20,000 award for his ‘body of work but also his long- span social justice activism ... His strong sense of social justice combined with his literary achievements has nourished, sustained and encouraged readers in Aotearoa’. Peter has consistently broken barriers in both publishing (first gay book written under the author’s own name) and film (Jewel’s Darl showed transgender characters in a sympathetic light to New Zealand in 1986). Most recently he produced a memoir of his family, Dear Oliver, which looked at his close relationship with his 100-year-old mother, as well as a series of Facebook posts chronicling his experience of living with cancer, which will be a forthcoming book called ‘Hello Darkness’. ‘Hello Darkness’ won a Media Voyager Award in 2018. His books have won numerous awards. He co-created the Auckland Writers Festival in 1999 and Samesame but Different LGBTQI Writers Festival in 2015.
Sam Orchard is committed to building a world where our many differences and complexities are celebrated. His ongoing web comic 'Rooster Tails' has been running for nine years and is the only comic of its kind in Aotearoa. Written from his life as a queer transgender man, the comic explores themes of mental health, fat embodiment, nerd culture, trans identity, and caring for a food-obsessed cat. Sam is also the author of 'Family Portraits', a series of short comic stories that amplify the stories of intersectional identities within Aotearoa’s rainbow communities. Sam’s recent activism projects include 'We Are Beneficiaries' and 'Out Loud Aotearoa'. As part of these he organised and engaged other artists and writers to drive social change in New Zealand. These projects gained international attention across social media and news sites, amplifying viewpoints which are often missing from public discourse.